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OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.
Multi-Grammy winning mix engineer (U2, Sheryl Crow, Peter Gabriel, Elvis Costello, The Black Keys, Cibo Matto)
As a producer & mixer, I naturally lean toward destruction while still being very much in touch with the sonic infrastructure of what is at hand. Goodhertz plug-ins are the dream paint to my any canvas. They drip from everything I create…be it a big fat mess or a tight tidy corner. I just can’t stop reaching for them. every single color quenches my thirst for art. Get them all.
Miya Folick, Kim Gordon, Angel Olsen
Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes.
The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!
I absolutely adore your plugins. VulfCompressor is my favourite compressor by far and I used it extensively on my sounds to the recent Wolfenstein games. PanPot sits on almost every channel and is the best way I’ve found to quickly dial in a space for anything. Faraday is my new favourite goodie that sits on the mixbuss and it does all sorts of snappy things that really bring a groove to life. I love it all!!!
Composer & Sound Designer (Wolfenstein: The New Order, DOOM)